Mr. Holmes

MR. HOLMES

Written by Jeffrey Hatcher

Based on the novel by Mitch Cullin

Directed by Bill Condon

Starring Ian McKellen, Laura Linney, Milo Parker

Working with archetypal characters, and particularly those with extensive back catalogues, certainly has its pitfalls. Living up to the legacy of such immortal characters can be a great burden, and it is one that Mr. Holmes, as both a film and a man, struggles to carry.

Decades after retiring to the countryside, celebrated detective Sherlock Holmes (Ian McKellen) decides to set the record straight. Ditching Dr. Watson’s affectations and embellishments, he begins to write the story of his last case and, in doing so, develops a relationship with his carer’s son, Roger (Milo Parker), an enthusiast of Holmes’ mysteries. However, Holmes’ ailing health and hostile demeanour are beginning to wear on his carer, Mrs. Munro (Laura Linney).

In our introduction to the English countryside, the central relationships are quickly and clearly established, as is the overwhelming Britishness of the whole affair. Everything is clipped and trimmed and perfect, despite Holmes’ grumpy old man act doing its best to disrupt the calm. The world we are shown has little dispute to speak of, except that of age.

As expected, McKellen gives an exemplary performance as the greatest mind of its generation battling against its own dissolution. His aged self is of great contrast to the fresh, savvy detective we see in flashbacks, and it is no surprise to see that the great Holmes is merely a man, as prone to fits of pique as any other. Linney’s role as carer has much less to work with, but manages to be relatable – a scene where Roger puts her under Sherlock’s scrutiny, however, is discomfortingly voyeuristic.

The issues lie in the generally unremarkable feeling with which one leaves the film. Satisfactory conclusions are reached, there are some beautiful moments set in post-war Japan, and the relationship between McKellen and young Parker is enjoyable, but there is nothing quite as special as the soft-focused, polished trailers would have you believe. Yes, there is purpose to the mundanity of the setting, but it makes for uninteresting viewing.

Mr. Holmes is by no means a bad film, but despite its convincing performances, there are without doubt greater mysteries to be sought.

★★ 1/2

Mr. Holmes opens in cinemas on Thursday July 23.

Post originally printed in The Brag, available at http://www.thebrag.com/arts/mr-holmes